ALL ABOARD!

Welcome to the first issue of TheBluegrassSpecial.com, a new online monthly publication covering bluegrass, country, blues, gospel, folk and all manner of worthwhile, rootsy music, to coin a phrase. Compared to the mighty Wabash Cannonball shown in our logo, we are truly the little engine that could, being a small but nimble and experienced power source. We believe only the hardest of hard-core bluegrass purists will object to the range of music we cover under the bluegrass banner, because we believe every bit of music chronicled herein will be welcome in the homes of those who appreciate the work of artists for whom music is life, not a career option; music that elevates the spirit and lyrics that speak to the truth of getting through a day with body and soul intact, including the Right Rev. Little Richard’s “a-wop-boma-luma-belomp-bomp-bomp!” — truly an all-purpose cure for existential angst. Our main features in this premiere issue—The Punch Brothers, Willie Nelson, the acclaimed country and pop songwriter Beth Nielsen Chapman, an account of the Bluzapalooza tour of the U.S. military bases in the Middle East, and tributes to the late honky tonk giant Hank Thompson and the late Canadian blues great Jeff Healey—pretty much define where our hearts are at, and we will strive for a similar eclectic mix in future issues. Chapman’s moving story is not a traditional profile, but rather an account of her personal, near-lifelong exploration of faith and spirituality as reflected in her remarkable new double CD, Prism: A Human Songbook; it’s the first installment in a regular series called The Gospel Set, an examination of faith in music and music in faith, based on the well-founded theory that every good gospel show includes a gospel interlude. We offer two sections of reviews: one, Reviews, embraces bluegrass and country exclusively; the other, Beyond the Blue, surveys blues, jazz, gospel, folk and “all manner of rootsy, worthwhile music.” We have some interesting ideas percolating for future issues, and welcome our readers to join us for what we trust will be an interesting journey. Enjoy the scenic wonders. All aboard!

Cover Story: Knockout ‘Punch’
Chris Thile’s Bluegrass Odyssey Rolls With the Punch Brothers—From his auspicious debut as a member of Nickel Creek to his four solo albums to his new band, the Punch Brothers, Chris Thile has pushed the boundaries of bluegrass’s embrace of progressive musical elements. On the Punch Brothers’ Punch album, he takes an even bigger leap, fusing classical composition elements to hot picking and piercing lyrics born of a wrecked marriage to create a breathtaking four-movement bluegrass suite. In TheBluegrassSpecial.com cover story, Thile and fellow Punch Brother Gabe Witcher examine the whys and wherefores of Punch and Thile reflects on his own enthralling musical journey.

Bluzapalooza Turns Up The Blues Heat For U.S. Troops In Middle East
By Chip Eagle

Bluzapalooza, the first blues concert tour to go to a war zone, shipped out to military bases in Iraq and Kuwait on April 1 to entertain our troops. Created and produced by St. John concert impresario Steve Simon and presented by Armed Forces Entertainment, this inaugural Bluzapalooza tour stars blues icon and four-time Blues Music Awards (BMA) nominee Bobby Rush, two-time BMA Contemporary Blues Female Artist of the Year Janiva Magness, Beale Street Entertainer of the Year Billy Gibson, and Tony Braunagel from The Phantom Blues Band heading the Bluzapalooza All-Stars Blues Band.Chip Eagle, publisher of Blues Revue, BluesWax, Dirty Linen and FolkWax, accompanied the Bluzapooloza tour to the Middle East as a roving reporter. He graciously contributed this report without compensation to TheBluegrassSpecial.com.

Willie Nelson. Damn Right.
The folks at Columbia/Legacy have raised the bar to a daunting standard with an awesome new Willie Nelson retrospective, One Hell Of a Ride, four CDs of inspired music representing more than 50 years in the saddle. A complete appraisal is offered, and in a sidebar feature, two discs of fundamental early Willie Nelson essential to every collection.

Contrasting Lives, Enduring Legacies:
Saluting Hank Thompson and Jeff Healey
Country music giant Hank Thompson passed away on Nov. 6, 2007, following a battle with lung cancer. The 82-year-old singer, songwriter and bandleader played his final concert on Oct. 8 on Hank Thompson Day in his naïve Waco, TX. TheBluegrassSpecial.com wasn’t around at the time to honor Hank, so we take time now to pay our respects. In the U.S., April 22 will see the release of Mess Of Blues, the final album from Canadian blues guitar great Jeff Healey, who died of cancer shortly after finishing the record. The 41-year-old Canadian, blinded as a baby by a rare form of cancer, lived for his music and his family. Both are richer for his presence, and diminished by his absence. In an exclusive interview with TheBluegrasSpecial.com, Healey’s long-time bass player, co-producer and confidant Alec Fraser reminisces about the Mess of Blues sessions and recalls Healey’s generous spirit.

TheBluegrassSpecial.com interview with Alec Fraser

THE GOSPEL SET with Beth Nielsen Chapman
On the theory that every good bluegrass show includes a gospel interlude, TheBluegrassSpecial.com offers a regular feature examining the role of faith, ethic and belief in and out of the music world. In the initial installment, Beth Nielsen Chapman discusses her journey to faith, as represented most recently, and most dramatically, on her two disc album, Prism: The Human Songbook. Inspired by Archbishop Desmond Tutu's concept of a common humanity, Prism: The Human Songbook explores the universal spiritual light infusing diverse religions, in nine different languages. Prism is the stuff of life, and Chapman’s finest hour, but getting here was not easy.

REVIEWS
Pretty Runs Out: 16-year old Amanda Shaw writes with a wisdom befitting a more worldly lass, attacks the fiddle with a fluid, historically resonant style and sings in a husky, pixie-ish voice that is at once innocent and earthy, sort of a cross between Kasey Chambers and Deana Carter. She’s arrived, and she belongs.

Deep In the Mountains: Retooled and re-energized,, the bluegrass supergroup Longview hits a tape-measure blast in its first at-bat since 2002's exemplary Lessons in Stone long player. Three new members—including the towering J.D. Crowe—join with original members James King, Don Rigsby and Marshall Wilborn to demonstrate the enduring vitality of traditional bluegrass music in every immaculate, soaring harmony and dexterous instrumental flourish.

Stronger: Carlene Carter has survived it all and emerged with new purpose. Stronger, her first album of new material since 1995, is a mission statement that unflinchingly acknowledges the past while moving Carter into a dynamic present tense.

Bluegrass Chamber Music: Tim O’Brien (Chameleon) and the veteran duo of Jimmy Gaudreau and Moondi Klein (2:10 Train) offer bluegrass meditations in intimate, introspective, intensely personal settings.

Also reviewed: Lady Antebellum, George Strait, Dolly Parton, Rhonda Vincent, Blue Highway, Dailey & Vincent, Tift Merritt, Tim Hensley, Best Loved Bluegrass

BEYOND THE BLUE –Reviews of blues, jazz, gospel, folk and all manner of rootsy, worthwhile music. In this issue:

Roamin’ and Ramblin’: An expansive tip of the hat goes to producer Michael Robert Frank for the inspired idea to recreate Delta blues giant David Honeyboy Edwards’s powerful early guitar-harmonica duo teamings, few of which were ever recorded. The performances here are so ferocious and the soundscape so live that Honeyboy seems present in the room with you, inveighing against all manner of hard-hearted womenfolk and the last fair deal gone down.

Mockingbird: On her tribute to female songwriters, Allison Moorer’s lone original tune is, arguably, the album’s best song. From June Carter’s “Ring of Fire” to Patti Smith’s “Dancing Barefoot” to Ma Rainey’s brutal kissoff tune, “Daddy Goodbye Blues,” Moorer knocks ‘em all outta the park, though. Less Moorer originals has not produced lesser Moorer.

Better Dreams: With songs inspired by their dreams, The Kennedys—Pete and Maura—meld '60s rock, folk and country into a riveting concept album that takes the listener from the footloose frolic of not-so-long-ago into a world of abridged civil liberties, before concluding on an upbeat note with a bracing appeal for peace. What have dreams wrought? Some kind of masterpiece.

Also reviewed: Bonnie Bramlett, Tom Paxton, Shelby Lynne, Anne Murray, Mando Saenz, Caroline Herring, Al Basile